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46 1/4 x 7 3 3/4 x 2 (117.5 x 227.7 x 5.1 cm)

Alighiero Boetti. Map of the World. 1989

Alighiero Boetti。世界地图。1989-

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图片文件尺寸 : 4621 x 4217px

Alighiero和Boetti 邮局

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材质 :

图片文件尺寸 : 4859 x 3695 px

Alighiero e Boetti-Cinque x cinque venticinque, Ca. 1989.

Alighiero和Boetti-五乘五二十五，大约1989年。

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材质 :

图片文件尺寸 : 4859 x 3695 px

Alighiero E. Boetti-Cinque x cinque venticinque, Ca. 1989.

Alighiero E.Boetti-五乘五二十五，大约1989年。

下载五乘五二十五，大约1989年。-Alighiero E.Boetti大图

材质 : Embroidery on canvas, mounted on a panel

图片文件尺寸 : 4859 x 3695 px

Alighiero e Boetti-Dalla sfera al cubo, 1988.

Alighiero和Boetti-从球体到立方体，1988年。

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图片文件像素：4600 x 3500 px

阿里吉耶罗·波提-

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(Turin 1940–1994 Rom)
“Ordine e disordine”, 1982, Siebdruck in Farbe und Collage auf Velin, signiert alighiero boetti, Nr. 35 von 50 nummerierten Exemplaren, Darstellungsmaße 70 x 70 cm, Blattmaße, gerahmt

下载阿里吉耶罗·波提` by Alighiero Boetti大图

材质 : Embroidery on canvas, mounted on panel

图片文件尺寸 : 4859 x 3695 px

Alighiero e Boetti-Le infinite possibilità di esistere, 1988.

Alighiero和Boetti-存在的无限可能性，1988年。

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材质 : Embroidery on canvas

图片文件尺寸 : 4859 x 3695 px

Alighiero e Boetti-Attirare l'attenzione (Die Aufmerksamkeit anziehen), 1988.

Alighiero和Boetti-Attirare l‘attenzione（吸引眼球），1988年。

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图片文件像素：5357 x 5537 px

阿里吉耶罗·波提-

Alighiero Boetti * - Zeitgenössische Kunst I-

(Turin 1940–1994 Rome)
Naturale Artificiale, 1982, 2 parts, ballpen on paper laid on canvas / biro su carta intelata, each 100 x 70 cm, on stretcher (2)

The work is registered in the Archivio Alighiero Boetti and is accompanied by a photo certificate of authenticity, Rome, 30 May 2007

Photo-certificate, issued by La Bertesca/c.o. Masnata, Genoa, signed by the artist, Rome, October 1983

Provenance:
The artist Francesco Masnata, Genoa (formerly Galleria La Bertesca)
Private Collection, Southem 德国y – acquired directly from the above in the late 1990s

Literature:
Jean-Christophe Ammann, Alighiero Boetti, Catalogo generale, Vol 3, Milan 2015, Vol. 3, no. 1391 (with color illustration)

The work NATURALE ARTIFICIALE comes from Alighiero Boetti\'s biro drawings series. The artist created unique artistic narratives through play, poetry, measure, numbers, order and disorder, which he combined with material diversity, conceptual complexity, and extraordinary visual beauty. Boetti began his biro series in the 1970s, when he created entire sheets collaboratively using different coloured biro ink. Each work in the series contains panels of images created by different students, similar to Boetti\'s well-known tapestries. With a consistently playful approach to \"simple\" ideas, Boetti posed fundamental questions about contemporary art production. The liminal space between artist and author is a major concern in Boetti\'s catalogue of works.

The biro work offered here is a diptych of two sheets hand-coloured with red biros. Looking at the diptych as a whole, the irregular structure, gradations and patterns become apparent. Latin letters are arranged in alphabetical order on the left edge of the picture. Distributed over the two halves of the picture are small white commas in a seemingly arbitrary arrangement. A closer look at the signs reveals that they each correspond to one of the letters of the alphabet. When read in sequence from left to right, they themselves spell out the work’s title NATURALE ARTIFICIALE. Boetti\'s biro works are generally abstract images that name themselves.

\"My works arise from changing forms of collaboration. I am interested in primary things like the alphabet, maps, newspapers - not least because of the sudden surge of order and disorder. Everything has its own precise order, even if that order is realised in a disorderly way.\"
Alighiero Boetti

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图片文件像素：5039 x 4187 px

阿里吉耶罗·波提-

Alighiero Boetti * - Zeitgenössische Kunst I-

(Turin 1940–1994 Rome)
Cinque per cinque venticinque (Five by five twentyfive), 1983, signed on the reverse, embroidery on canvas mounted on board,, 21 x 23 cm, framed

This work is registered in the Archivio Alighiero Boetti , Rome and is accompanied by a photo certificate of authenticity

Provenance:
Casamonti Collection, Florence (stamp on the reverse)
European Private Collection

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图片文件像素：6313 x 4565 px

阿里吉耶罗·波提-

Alighiero Boetti * - Zeitgenössische Kunst II-

(Turin 1940–1994 Rome)
Millenovecentoottantacinque, 1985, signed, pencil and watercolour on paper, 70 x 50 cm, framed

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图片文件像素：4914 x 5813 px

阿里吉耶罗·波提-

Alighiero Boetti * - Zeitgenössische Kunst I-

(Turin 1940–1994 Rome)
Perché la testa è amica del piede ed entrambe di lune e maree (Because the head is friend of the foot and both of moons and tides), 1988, signed and dated on the reverse, embroidery on canvas mounted on board, 29.5 x 29.5 cm, in plexiglass case

This work is accompanied by a photo certificate signed by the artist

This work is registered in the Archivio Alighiero Boetti, Rome and is accompanied by a photo certificate of authenticity

Provenance:
Galleria Ariete Arte Contemporanea, Lecco (label on the reverse)
European Private Collection (acquired from the above in 1989)

I designed some 150 words that could be arranged in a square.
Today when I come across expressions like “la forza del centro” (the force of the center), a yoga concept, I know intuitively that the number of its letters allows it to form a square.
I produced up to a hundred examples of each of these pieces. Each one is different in coloring and the special style of the woman who made it. So it is neither an original work nor a multiple.
(“Afghanistan”, Alighiero Boetti interviewed by Nicolas Bourriaud, in Documents, no. 1, October 1992)

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图片文件像素：4958 x 4709 px

阿里吉耶罗·波提-

Alighiero Boetti * - Zeitgenössische Kunst II-

(Turin 1940–1994 Rome)
T-Shirt, Ordine e Disordine, 1984, signed, spray paint on cotton, 69.5 x 66.8 cm, framed; in addition the preparatory drawing “Progettino per T-Shirt di Ordine e Disordine”, felt pen on paper, 29 x 21 cm, framed

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图片文件像素：5224 x 4132 px

卡拉·阿卡尔迪，当代艺术I-

Carla Accardi * - Zeitgenössische Kunst I-

(Trapani 1924–2014 Rome)
Bluviola, 1972, signed; signed and dated on the reverse, casein on canvas, 60 x 68 cm, framed

This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome

Provenance:
Sale, Finarte, 28 March 1995, lot 105
Galleria Russo, Rome (stamp on the reverse)
European Private Collection

Literature:
G. Celant, Carla Accardi, Charta, Milan 1999, p. 339, no. 1972 22 with ill.

More than colors I have always loved the way they match, as well as the light they give off. Even my white-black phase was a period of light, this contrast, just like in my mother’s saltworks in Trapani, a truly blinding sort of light.

When I used red with green, and sometimes even pink with light blue, the two colors had to have the same strength and couldn’t be complementary.
This way they struggle against one other and create light.
Carla Accardi in A.M Boetti, Lo specchio ardente, in Data, Milan no. 18, 1975

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